List of #1 Pop Singles for 1920. Dinah - Ethel Waters #23 in 1926. 30m, Tuesdays at 8, then Fridays at 10. Whiteman had 28 No. 30m, Mondays at 8, then at 9 after October. [38][39] Whiteman also arranged the song. American version lyrics by … 1. Jazz by Paul Whiteman, J. H. Sears, 1926. He experienced a revival and had a comeback in the 1950s with his own network television series, Paul Whiteman's Goodyear Revue, which ran for three seasons. [2] He came from a musical family: his father, Wilburforce James Whiteman[8] was the supervisor of music for the Denver Public Schools, a position he held for fifty years,[9] and his mother Elfrida (née Dallison) was a former opera singer. In 1927, Paul Whiteman co-wrote the song "Wide Open Spaces" with Byron Gay and Richard A. [...] Many of his recordings (particularly those with Beiderbecke) have been reissued numerous times and are more rewarding than his detractors would lead one to believe. Australia - - Prime Minister - - Billy Hughes Old Gold Presents Paul Whiteman and His Orchestra was an hour-long show on Tuesday nights over CBS from station WABC in New York. Henry Burr 11. 60m, five a week at 3:30. October 29, 1951 – April 28, 1953, ABC. He was inducted in the Big Band and Jazz Hall of Fame in 1993. The country needed a temporary escape from the Depression’s daily uncertainties, and its people eagerly embraced Hawaiian music for their imaginary travels to exotic places. December 5, 1943 – April 28, 1946, Blue/ABC. Will Rogers acted as MC and joined the program from the West Coast, with Al Jolson coming in from New Orleans. The Birth of the Blues - Paul Whiteman #5 in 1926. After selling the farm to agriculturalist Lloyd Wescott, Whiteman moved to New Hope, Pennsylvania, for his remaining years. The results in this chart are not affiliated with any mainstream or commercial chart and may not reflect charts seen elsewhere. Paul Whiteman & His Orchestra: 1926: Victor: The House is Haunted: Paul Whiteman presents Ramona with the Park Avenue Boys: 1934: Victor: The Only Only One for Me: Paul Whiteman and His Orchestra: 1925: Victor: There Ain't No Sweet Man That's Worth the Salt of My Tears: Paul Whiteman and His Orchestra: June 1928: Victor: There's Yes! His shows were: In the 1940s and 1950s, after he had disbanded his orchestra, Whiteman worked as a music director for the ABC Radio Network. Oh my! He co-wrote the 1925 jazz classic "Flamin' Mamie". Paul Whiteman and the Radio. Madonna 10. September 29–October 27, 1946, ABC. Previous. 1890) 1968 – Austin Farrer , English theologian and philosopher (b. Bird Song At Eventide - Henry Hall & his Orchestra #43 in 1926. [12] Whiteman emphasized the way he had approached the already well-established style of music, while also organizing its composition and style in his own fashion. Paul Samuel 'Pops' Whiteman[1](March 28, 1890 – December 29, 1967)[2] was an American bandleader, composer, orchestral director, and violist. Paul Samuel Whiteman was an American bandleader, composer, orchestral director, and violist. This page was last edited on 9 December 2020, at 03:07 (UTC). Paul Samuel Whiteman (March 28, 1890 – December 29, 1967) was an American bandleader, composer, ... 8/18/1926: Three o'clock in the morning: Paul Whiteman Orchestra: Jazz/dance band: director : Victor: B-26730: 10-in. His father insisted that Paul learn an instrument, preferably the violin, but the young man chose the viola. [54], He had two songs listed in the National Recording Registry, the first one was a cover of Rhapsody In Blue, covered by Paul, which was listed in 2003. "[26], Dodge Brothers must have been satisfied with the results of the broadcast because on March 29, 1928, Whiteman took part in a second Dodge Brothers radio show over the NBC network, which was entitled Film Star Radio Hour. Paul Whiteman And His Orchestra ‎– Trudy / When The Red, Red, Robin Comes Bob, Bob, Bobbin' Along ... BVE-36094-4) recorded New York, NY, September 3, 1926. The Beatles 14. On January 4, 1928, Whiteman and his troupe starred in a nationwide NBC radio broadcast sponsored by Dodge Brothers Automobile Co. and known as The Victory Hour (The program introduced the new Dodge "Victory Six" automobile). [4], Whiteman lived at Walking Horse Farm near the village of Rosemont in Delaware Township, Hunterdon County, New Jersey from 1938 to 1959. The first major play of the Harlem Renaissance, "Shuffle Along," debuts on Broadway. June 6–August 29, 1943, NBC. The. [41], He co-wrote the music for the song "Madeline, Be Mine" in 1924 with Abel Baer with lyrics by Cliff Friend.[42]. The Deutschlandsender was the first radio in Germany to start operating in 1923 in Berlin’s Voxhaus on Potsdamerstrasse. [48] The song was recorded by Charles Hart who released it as an Okeh 78 single, 4244. Fridays at 8:30 until mid–July 1938, then Wednesdays at 8:30. 30m. While waiting to join Whiteman's Orchestra they made their first record "I've Got the Girl" with Don Clark's Orchestra (a former member of Whiteman's Orchestra) at The Biltmore Hotel in Los Angeles (506 South Grand Ave.). Petropolitana - Aracy Côrtes #15 in 1926 #30 in 1926 George Olsen - Sunny #32 in 1926 George Olsen - Who? The list on this page is for all #1 hit Pop singles for 1926 using proprietary methods. He was born in Denver, Colorado. Whiteman hired them in October 1926. 1904) 1970 – … It was the most widespread hookup ever attempted at that time. Paul Whiteman in Scheveningen (1926) In the 1920s the media referred to Whiteman as "The King of Jazz". Even today, a favorite showcase piece for tenors--here Franklyn Baur joins Paul's band. Paul Whiteman Orchestra: Jazz/dance band: Musical group : Victor: B-25307: 10-in. His version of “Ol’ Man River” with Paul Robeson on vocals would be inducted into the Grammy Hall of Fame in 2006. In 1920, he co-wrote the music to the song "Bonnie Lassie" with Joseph H. Santly with lyrics by John W. 60m. Al Jolson 12. 30m, Tuesdays at 8. George Gershwin with Paul Whiteman. Visit Raw Pages for more that need doing! 5/18/1921: Cho-Cho-San: Paul Whiteman Orchestra: Jazz/dance band: Musical group : Victor: BVE-25307: 10-in. 45m. [33] Whiteman's TV-Teen Club, along with Grady and Hurst's 950 Club, proved to be an inspiration for WFIL-TV's afternoon dance show called American Bandstand. [21] His recording of José Padilla's "Valencia" topped the charts for 11 weeks, beginning March 30, 1926, becoming the No. In 1926, Paul Whiteman was on tour in Vienna, Austria when he met and was interviewed by a young ambitious newspaper reporter by the name of Billy Wilder who was also a fan of Whiteman's band. Template:Listen Paul Samuel Whiteman (March 28, 1890 December 29, 1967) was an American bandleader and orchestral director. 30m. Whiteman’s striking success prompted jazz to become an integral part of the radio in 1926. In the early 1960s, Whiteman played in Las Vegas before retiring. Popular pasodoble-rhythm song with music written in 1924 by Spanish composer/pianist José Padilla. [18] Whiteman liked young Wilder enough, that he took him with the band to Berlin where Wilder was able to make more connections in the entertainment field, leading him to become a screenwriter and director, eventually ending up in Hollywood. Paul Whiteman aka Pops american conductor here during a concert in a street c. 1925. This is the raw source file and needs to be edited, verified, and reformatted. Mr. Whiteman's orchestra is seldom heard on the radio, and its infrequent broadcasts are the subject of major jubilations, despite the presence of tenors and vocal harmonists in most of the Whiteman renditions. Congress approves the money to finish building the tomb in 1926, ... Paul Whiteman, and Al Jolson. Music of current American composers. The Peerless Quartet 17. Sunny - George Olsen #23 in 1926. The complete directory to prime time network and cable TV shows, 1946–present. Detractors suggest that his ornately orchestrated music was jazz in name only, lacking the genre's improvisational and emotional depth, and co-opted the innovations of black musicians. [47] The Colonial Club Orchestra released a recording of the song on Brunswick Records in 1927 as 3549-A with Irving Kaufman on vocals. [51], In 1998, the 1920 Paul Whiteman recording of "Whispering" was inducted in the Grammy Hall of Fame. The King's Jesters were with Paul Whiteman in 1931. "Paul Whiteman Dead at 77 of Heart Attack". 60m, Sundays at 8. The songwriting credit is assigned as music composed by Paul Whiteman, Ferde Grofé, and Marshall Neilan, with lyrics by Dorothy Terriss. 8/21/1922: You remind me of my mother: Paul Whiteman Orchestra: Jazz/dance band: leader : Victor: B-26732: 10-in. "Answers to Questions," Cleveland Plain Dealer, June 2, 1935, p. M-10. 3.83. The song was recorded on March 1, 1928, in New York and released as Victor 35912-A. Seeking to "make a lady out of jazz," Whiteman's symphonic jazz did not always swing, but at Aeolian Hall in 1924 he introduced "Rhapsody in Blue" (with its composer George Gershwin on piano) in what was called "An Experiment in Modern Music." Harlem Renaissance - Harlem Renaissance - Black heritage and American culture: This interest in Black heritage coincided with efforts to define an American culture distinct from that of Europe, one that would be characterized by ethnic pluralism as well as a democratic ethos. The Whiteman Hour had its first broadcast on February 5, 1929 and continued until May 6, 1930. In late 1926, Whiteman signed the Rhythm Boys to sing for his band; Bing Crosby’s prominence in the trio helped launch his career. PAUL WHITEMAN & his Orch., w.Vaughan de Leath, Bing Crosby, Lewis James, Franklyn Baur, Elliott Shaw, Jack Fulton, etc. In 1924 he commissioned George Gershwin's Rhapsody in Blue, which was premiered by his orchestra with the composer at the piano. "Hot Lips" was recorded by Ted Lewis and His Jazz Band, Horace Heidt and His Brigadiers Orchestra (1937), Specht's Jazz Outfit, the Cotton Pickers (1922), and Django Reinhardt Et Le Quintette Du Hot Club De France. Whiteman also appeared as the baby in Nertz (1929), the bandleader in Thanks a Million (1935),[2] as himself in Strike Up the Band (1940),[2] in the Paramount Pictures short The Lambertville Story (1949), and the revue musical King of Jazz (1930). Guy Lombardo and His Royal Canadians 5. The single reached #3 on Billboard in May 1923, staying on the charts for 5 weeks. Asked by Paul Whiteman to write an original work for a concert of modern music to be presented at Aeolian Hall in New York on February 12, 1924, George, who was hard at work on a musical comedy, SWEET LITTLE DEVIL, barely completed his composition in time. Tim Brooks, Earle Marsh. The Fletcher Henderson Orchestra first recorded "Whiteman Stomp" on May 11, 1927, and released it as Columbia 1059-D. 1927 recording. The Glenn Miller Orchestra 9. September 5–November 14, 1944, Blue Network, 30m, Tuesdays at 11:30. [34], He also continued to appear as guest conductor for many concerts. "[6], In his autobiography, Duke Ellington declared, "Paul Whiteman was known as the King of Jazz, and no one as yet has come near carrying that title with more certainty and dignity. Allied Paints (1931), July 8, 1932 – March 27, 1933, NBC. CD liner notes: Chart-Toppers of the Twenties, 1998 ASV Ltd. pp 918, 919, Jackson, John A., American Bandstand - Dick Clark and the Making of a Rock 'n' Roll Empire, Oxford University Press (1997), Hot Lips (He's Got Hot Lips When He Plays Jazz), Delaware Township, Hunterdon County, New Jersey, Livin' in the Sunlight, Lovin' in the Moonlight, "Paul Whiteman 'The King of Jazz' (1890–1967)", "Big Band Library: Paul Whiteman: "Something to Remember You By, "Paul Whiteman and His Ambassador Orchestra", "Billy Wilder, Master of Caustic Films, Dies at 95", Catalog of Copyright Entries, 1948. "Say It With Music", 1921, #1 for 5 weeks, "Grieving For You – Feather Your Nest", #26 hit of 1921, "Play that 'Song of India' Again", 1921, #1 for 5 weeks, music adapted by Paul Whiteman from the Chanson Indoue theme by, "Birth of the Blues", 1926, #1 for 4 weeks, "Three Shades of Blue: Indigo/Alice Blue/Heliotrope", 1927, composed and arranged by, "Rhapsody in Blue", 1927, electrical version, Grammy Hall of Fame inductee, "Metropolis: A Blue Fantasy", 1928, composed by, "Ol' Man River", 1928, second, slow version, with, "Fare-Thee-Well to Harlem", 1934, with vocals by, "My Fantasy", 1939, Paul Whiteman co-wrote the song, an adaptation by Paul Whiteman of the Polovtsian Dances theme from the opera, This page was last edited on 20 January 2021, at 17:21. 3.01. [14] After the war, he formed the Paul Whiteman Orchestra. Bratton. The show was seen for an hour the first two years, then as a half-hour segment on Saturday evenings. Thursdays at 9 until July, then Wednesdays at 9:30. Next . [55] The second one was the song "Whispering", which was listed in 2020. [27] Charlie Chaplin, Douglas Fairbanks, John Barrymore, and several other Hollywood stars were featured. Oh my! 1926 • Paul Whiteman and His Orchestra +1. September 29, 1947 – May 23, 1948, ABC. Paul Whiteman (en 1925) Claude Luter; les Haricots rouges; les Firehouse Five Plus Two (composé d'employés de Disney) Chris Barber (Black Bottom, Petite fleur, Dinah, Dans les rues d'Antibes, Moulin à café, Muscat Ramble, Rag de la 12° rue) Notes NBC. Whiteman led a usually large ensemble and explored many styles of music, such as blending symphonic music and jazz, as in his debut of Rhapsody in Blue by George Gershwin.[4]. auspices in the past, the Dodge Brothers' Victory Hour at a reputed cost of $67,000 was disappointing and not commensurate in impression with the financial outlay." 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